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ALL PICTURES ARE GUARANTEED AS CATALOGUED, 

AND FOLLOWING THE ESTABLISHED POLICY OF THE 

EHRICH GALLERIES, WILL. BE EXCHANGEABER Sa 
ANY TIME AT THE FULL PURCHASE PRICE. 


SALE NUMBER 1660 
ON FREE PUBLIC EXHIBITION FROM THURSDAY, MAY FOURTH 


yawn 


IMPORTANT COLLECTION 
OF 


OLD MASTERS & 
EARLY AMERICAN 
PAINTINGS 


A-~CHOICE SELECTION 
FROM THE COLLECTION OF 


fee EARICH GALLERIES 


NEW YORK 


TO BE SOLD BY AUCTION 
TUESDAY, WEDNESDAY EVENINGS, MAY NINTH, TENTH 
AT EIGHT-FIFTEEN O CLOCK 


THE ANDERSON GALLERIES 
[MITCHELL KENNERLEY, Presipent| 
PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 


1922 


CONDITIONS OF SALE 


All bids to be PER LOT as numbered in the Catalogue. 

The highest bidder to be the buyer. In all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as 
to the good faith of all claims and his decision shall be final. 


Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the 
lots purchased to be immediately resold. 

Purchases to be taken away at the buyer’s expense and risk 
within twenty-four hours from the conclusion of the sale, and the 
remainder of the purchase money to be paid on or before delivery, 
in default of which The Anderson Galleries, Incorporated, will not 
be responsible if the lot or lots be lost, stolen, damaged, or destroyed, 
but they will be left at the sole risk of the purchaser, and subject to 
storage charges. 

All lots will be exposed for public exhibition before the date 
of sale, for examination by intending purchasers, and [he Anderson 
Galleries, Incorporated, will not be responsible for the correctness 
of the description. authenticity, genuineness, or for any defect or 
fault in or conceri..ug . vy lot, and makes no warranty whatever, but 
will seli each lot exactly as it is, WITHOUT RECOURSE: 

TERMS CASH. Upon failure to comply with the above condi- 
tions any sum deposited as part payment shall be forfeited, and all 
such lots as remain uncleared after twenty-four hours from the con- 
clusion of the sale will be resold by either private or public sale at 
such time as he Anderson Galleries, Incorporated, shall determine, 
without further notice, and if any deficiency arises from such resale 
it shall be made good by the defaulter at this sale together with all 
the expenses incurred thereby. ‘This condition shall be without 
prejudice to the right of The Anderson Galleries, Incorporated, to 
enforce the contract with the buyer, without such resale. 

Bips. We make no charge for executing orders for our cus- 
tomers and use all bids competitively, buying at the lowest price 
permitted by other bids. | 

The Anderson Galleries, Incorporated, will afford every facility 
for the employment of carriers and packers by the purchasers, but 
will not be responsible for any damage arising from the acts of such 
Carriers and packers. 


THE ANDERSON GALLERIES 
PARK AVENUE AND FIFTY-NINTH STREET 
NEW YORK 
TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST 
SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 


LIST OF ARTISTS 


ABBOTT, L. F. 
AMBERGER, C. 
AMERICAN SCHOOL 
AVIGNON, SCHOOL OF 
BADGER, J. 

BARKER OF BATH, T. 
BEECHEY, SIR W. 
BELLOTTO, B. 
BENSON, A. 
BIDAULD, J. P. X. 
BIRCH, T. 

BISET, K. E. 

BOSCH, H. (ATT. TO) 
BOTTICINI, F. 
BOURGOIN, F. J. 
BROWN, M. 

BROWN, W., JR. 
CAFFERTY, J. H. 
CAMPAGNOLA, D. 
CASANOBRIO, L. 
CATEIN, G. 
CONSTABLE, J. 
CORLEY, J: S. 
CRADOCK, L. 

DALBY, D. 

DANCE, N. 

DUPONT, GAINSBOROUGH 
DURAND, A. B. 
EARLE, R. 

EARLE, R., JR. 
FRANKFORT, MASTER OF 
FROTHINGHAM, J. 
GAINSBOROUGH, T. 
HAND, T. 


PAINTING 
NUMBER 


70, 


Se 


21, 48, 
3) 4 


58 


49, 50 
54 55 


129 


jie. 
39, 4! 


12 
126 


19, 56 


106 
66, 67 
(ee 


59, 60 


HARDING, C. 
HEMESSEN (J. SANDERS) 
HONDEKOETER, M. D’ 
HUDSON, T. 
HUNTINGTON, D. 
IBBETSON, J. C. 
INMAN, H. 

ITALIAN SCHOOL 
JARVIS, J. W. 

JOUETT, M. H. 
KNELLER, SIR G. 
LANDRY, L. 

LANNINO, B. 

LELY, SIR P. 

LIPPI, FRA F. 

MAZO, J. B. DEL 
MEMLING, SCHOOL OF 
MESSINA, P. DA 
MONNOYER, J. B. 
MORLAND, G. 

MORSE, S. F. B. 
MOUNT, W. S. 

NILANT BANNIER, H. G. 
OPIE, J. 

OTIS, B. 

OWEN, W. 
PALAMEDES, A. 
PANNINI, G. P. 
PEALE, R. 

PRATT, M. 

PREDIS, A. DA (ATT. TO) 
REMBRANDT VAN RIJN 
REYNOLDS, SIR J. 


RIZZI DA SANTA CROCE, F. 


ROMANINO, G. 
ROMANO, G. 
ROMNEY, G. 
RUBENS, P. P. 
RUSSELL, J. 


PAINTING 
“NUMBER 


7) 10, 


18, 
92, 


14, 17, 29), 70 


89 
56 
25 
23) 


5 
46 
72. 
15 
62 
97 
pe 


SANDERS, J. 
SARTORIUS, F. 
SCOREL, J. VAN 
SHEE, SIR M. A. 
SHAW, J. 

STARK, J. 

SFUART. G. 
STUBBS, G. 

SULLY. T. 
TOCOUE, L. 

VAN CLEEF, J., THE YOUNGER 
VAN DER MEULEN, A. F. 
VAN DYCK, SIR A. 
VERBRUGGEN, K. P. 
VESTIER, A. 
VIFAELC, 
VITERBO, A. DA 
WALDO, S. L. 
WATTS, F. W. 
WEST, B. 
WIJNANTS, J. 
WaILCOGK, G. B. 
WILSON, R. 
WISSING, W. 
WYATT, H. 


PAINTING 
NUMBER 


89 


ALL PICTURES ARE GUARANTEED AS CATALOGUED, 

AND FOLLOWING THE ESTABLISHED POLICY OF THE 

EHRICH GALLERIES, WILL BE EXCHANGEABLE AT 
ANY TIME AT THE FULL PURCHASE PRICE. 


SALE TUESDAY EVENING, MAY NINTH 
Ae BIGH T-FIFTEEN O'CLOCK 


FIRST SESSION 
LOTS 1-71 


AMERICAN SCHOOL (?) 
LATE 18TH CENTURY 


Peet ORK} Rai? OF JOHN PAUL JONES 
Ke _ Half length, turned slightly to the left, wearing the uniform 


_ of an American naval officer, in dark blue with gilt epaulettes 
and yellow lapels. Cloud effect background. 


Canvas. Height, 30 inches, width, 25 inches. 


WILLIAM SIDNEY MOUNT, N.A. 
AMERICAN, 1808-1868 


2 THE ARTISI’S MOTHER 
= Half length, at full front, looking at the spectator; in lace cap 
1<g ~ with yellow ribbons tied under chin, and dark gown with wide 
lace collar. Landscape background with feigned oval. 
Inscribed on back, “Portrait of my mother, from the original. 


September, 1855.” 


Canvas. Height, 30 inches; width, 25 inches. 


Nie 


WILLIAM BROWN, Jr. 
ENGLISH, ACTIVE 1798-1808 


PATE DOA TES aay DN, 

Smiling, hilly countryside, a stream at the right, wayside inn 
at the left, where a carter has pulled up and is being served by ~ 
the maid, a dog looking on; his horses, one brown and the 
other white, are hitched tandem-wise; cottages nestling snugly 
among exuberant foliage at middle distance, sky of fleeting 
gray and creamy clouds with touches of blue. 


Canvas. Height, 30 inches, width, 36 inches. 


WILLIAM BROWN, Jr. 
ENGLISH, ACTIVE 1798-1808 


LANDSCAPE WITH COWS 

Hilly country, with fine tree groups in thick foliage; a drover 
on a white horse in the foreground, with several cows and a 
dog; a distant stream glistening in a valley among misty blue 
hills at the left, ruins of a castle at the right; blue sky with 
masses of warm-tinted clouds. 


Canvas. Height, 28% inches, width, 36 inches. 


JULIUS CAHSAR IBBETSON 
ENGLISH, 1759-1817 


LANDSCAPE 
Undulating countryside, with a fine group of trees at the left, 
a traveller on a white horse and several figures at the right, 


other figures about; hills at the horizon; blue sky with warm 
cloud effect. 


Canvas. Height, 15 inches; width, 21 inches. 


6 


ae 


ie 


awe 


JAMES FROTHINGHAM, N.A. 
AMERICAN, 1786-1864 


PORTRAIT SKETCH OF CHRISTOPHER HUGHES 
Bust, head and shoulders toward the front, in high buttoned 
coat, a touch of white collar; gray background. 


Canvas. Height, 20 inches, width, 17 inches. 


HENRY INMAN, N.A. 
AMERICAN, 1801-1846 


SELF-PORTRAIT SKETCH 
Bust at full front, touch of white collar, black waistcoat, tan- 
colored coat; brown background. 


Canvas. Height, 30 inches, width, 25 inches. 


THOMAS SULLY 
AMERICAN, 1783-1872 


PORTRAIT OF MISS CAROLYN T. HARDING 

Half length, seated to the front, her right arm resting on a 
table; in low pink bodice, white fur-lined cloak thrown over 
arm; glimpse of sky at the right. No. 735, Life and Works of 
Thomas Sully, by Biddle and Fielding. 


(Purchased from her descendants. ) 


Canvas. Height, 30 inches; width, 25 inches. 


Sw \\ 
+) 


BASS OTIS 
AMERICAN, 1784-1861 


PORTRAIT OF FELICIA HEMANS 

Half length of young lady seated at full front, facing the spec- 
tator, hair parted in the middle, locks descending to the 
shoulders; in low red bodice edged with lace, holding pink- 
lined, black cape with hand; landscape background. 


Canvas. Height, 30 inches; width, 25 inches. 


HENRY INMAN, N.A. 
AMERICAN, 1801-1846 


PORTRAIT OF MR. DUSTIN 

Half length, at full front; smooth shaven, vigorous looking 
man in high collar, ruffled jabot, dark coat and waistcoat; gray 
background. 


Academy board. Height, 30 inches; width, 25 inches. 


THOMAS SULLY 
AMERICAN, 1783-1872 


PORTRAIT OF DR. ALFRED LANGDON ELWYN AS 
A BOY 

Half length of a blond curly-haired child, nude to the waist, 

standing beside a rock, body to the left, looking over shoulder 

to the right; sky background. No. 505, Sully’s Register. 


Academy board. Height, 28 inches, width, 23% inches. 


12 


£ D0 


13 


RALPH EARLE, Jr. 
AMERICAN, 1037 


PORTRAIT OF MRS. SARAH HALL 

Half length, seated at full front, of a dark complexioned hay 
in flowered bonnet and quaint high-waisted gown, with low 
blue velvet bodice ornamented with white lace; she is wearing 
jewelry and holding a fan; a book is on a green table at the 
right; effective background. 


Canvas. Signed and dated. Height, 30 inches, width, 25 inches. 


THOMAS BIRCH 
AMERICAN, 1779-1851 


MARINE 

American coast scene, showing some of the famous clipper 
ships at full sail, while a number of fisher folk are on the 
sandy shore at the left, where a boat has been beached, and are 
bringing in the day’s catch; blue sky with gray and silvery 
clouds. 


Canvas. Height, 24 inches, width, 35 inches. 


CHESTER HARDING 
AMERICAN, 1792-1866 


PORTRAIT OF MRS. KING 


Bust at full front of an attractive lady, seated on red armchair, 


in black gown with lace headdress tied under the chin with 


pink ribbons and ruffle collar; neutral background. 


Panel. Height, 30 inches, width, 25 inches. 


aN 


15 


JOHN WESLEY JARVIS 
AMERICAN, 1780-1839 


PORTRAIT OF CAPTAIN SARGENT | 
Bust, shoulders to the front, head to the right, in powdered 
wig and red and black uniform with gilt epaulettes and trim- 
mings; neutral background. 


On the back, bust portrait of a young gentleman, head and 
shoulders slightly to the right, white collar and neckerchief, 
black coat; brown background. 


Canvas. Height 30 inches, width, 25 inches. 
1), 0). NEU Died ans. 


16 


JAMES H. CAFFERFY, Nie 
AMERICAN, 1819-1869 


PORTRAIT OF EMMELINE DE LUCCAS TY ier 
Half length, shoulders to the front, head to the right, in low 
white lace bodice, red cape thrown over her left shoulder; light 
background. 


Canvas. Oval. Height, 30 inches, width, 25 inches. 


CHESTER HARDING 
AMERICAN, 1792-1866 


PORTRAIT OF THOMAS A. COOPER, ACTOR 

Half length, at full front, seated, of vigorous man in black coat 
and waistcoat, white collar and neckerchief; brown back- 
ground, with column at left. 


Panel. Height, 30 inches; width, 24 inches. 


; 


18 


oN 


19 


9 fo— 


MATTHEW HARRIS JOUETT 
AMERICAN, 1787-1827 


PORTRAIT OF GEORGE CROGHAN 

Half length, at full front, of a fine featured, smooth shaven 
man in high collar, black neckerchief, fur-collared cape with 
red lining; brown background. 


Canvas. Height, 30 inches; width, 24 inches. 


RALPH EARLE 
AMERICAN, 1751-1801 


PORTRAIT OF NATHANIEL GARDNER OF GRO- 
TON, MASS. 

Bust slightly to the right, eyes directed toward the spectator, 

hair arranged in a roll over ears, brown coat, pink waistcoat, 

ruffled neckerchief; gray background. 


Canvas. Height, 30 inches, width, 25 inches. 


() | ; / tn 
> VL. A_ Ce 


DANIEL HUNTINGTON, P.N.A. 
AMERICAN, 1816-1906 


PORTRAIT OF DR. CONSTANTINE HERING 


Half length, slightly to the right, a vigorous gentleman with 
abundant gray-black hair and moustache, wearing gold- 


~ rimmed spectacles, soft collar, black tie, white shirt, black 


coat and waistcoat; neutral background. 

(Dr. Hering founded the Hahnemann Hospital of Phila- 
delphia.) 

Canvas. Height, 30 inches; width, 25 inches. 


aA 


a2 


[ o- is 


MATHER BROWN 
AMERICAN, 1763 (?)-1831 


PORTRATE OF ALGEN TE EMAN 

Half length, slightly to the right, looking toward the spectator; 
with abundant curly black hair and side whiskers, white neck- 
erchief with ruffle, black coat and waistcoat, red curtain at 
left of neutral background. 


Canvas. Signed at lower right. Height, 30 inches, width, 25 
inches. 


SAMUEL F. B. MORSE, N.A. 
AMERICAN, 1791-1872 


. oe 
PORTRAIT OF I. W. FORBES, SILVERSMITH Ai: 


Half length, seated in armchair, head and shoulders to the 
front, eyes directed toward the spectator; he holds a red book, 
and is attired in black coat and waistcoat; effective background. 


Canvas. Height, 30 inches; width, 25 inches. 


LUKE CRADOCK 
ENGLISH, 1660(?)-1717 


WATER FOWL 

A variety of ducks, geese, water-hen and a kingfisher, dis- 
porting themselves about a rivulet, zigzagging through closely 
wooded country; vista of a village near hilly distance, late 
afternoon sky of pink-tinted clouds with touches of blue. 


Canvas. Height, 32% inches, width, 48% inches. 


Bo 


iL, ee e°0 


CANDIDO VITALI 
ITALIAN, 1680-1753 


24 PAIR OF FLOWER SUBJECTS 


Varicolored blooms arranged in claw-footed urns on a stone 
pedestal; neutral background. 


/ be ~ Canvas. Height of each, 274 inches; width, 35 inches. 


THOMAS HUDSON 
ENGLISH, 1701-1779 


25 PORTRAIT OF A GENTLEMAN 


Half length, at full front, eyes directed to the spectator; he 
holds a glass of red wine, wears a gray wig, cream-colored 
neckerchief, blue waistcoat and buff gray jacket; dark brown 
background. 


Canvas. Height, 30 inches, width, 25 inches. 


DAVID DALBY 
ENGLISH, EARLY 19TH CENTURY 


ST. PATRICK, WINNER OF THE ST. LEGER 

The famous racehorse, a brown lithe animal, stands at full 
length facing the left, the jockey in black, red and cream 
colors, firm in the saddle, is ready for the start; racecourse 
landscape, cloudy sky with touches of blue. 


Canvas. Signed and dated 1825 at lower left. Height, 25 
inches, width, 30 inches. 


FRANCIS SARTORIUS 
ENGLISH, 1734-1804 


27 COURSING THE HARE 
Squire Angerstein and his attendants, Able and Dyee, the 
former on a white charger, while one of the servants holds up : 
Cr re a hare; the other is mounted on a brown horse in the back, the iti 
A third horse, tan colored, stands at the left, and greyhounds and ae 
terriers complete the group; landscape with glimpse of a coun- 
try mansion at the horizon, gray sky with patches of blue. 


Canvas. Height, 25 inches; width, 30 inches. 


JEAN BAPTISTE MONNOYER 
FRENCH, 1636-1699 


OL. }. Edd 
28 FLOWERS 


A galaxy of many varieties and shades, arranged in a deep blue 
/ / vase on a parapet; dark background. 


[f 
i o Canvas. Height, 32 inches, width, 27 inches. 


CHESTER HARDING 
AMERICAN, 1792-1866 


Alvan S 
29 PORTRAIT OF DANIEL WEBSTER is l i: 
Half length, seated in armchair, shoulders to the front, head 
slightly to the left; white collar and jabot, black coat and 
Wf SS, waistcoat; red ‘singin in background. 


Canvas. Height, 36 inches, width, 28 inches. 


[SEE ILLUSTRATION ] 


PORTRAIT OF DANIEL WEBSTER 


BY CHESTER HARDING 


[29] 


30 


31 
coe 
fo 
32 
ne 


RICHARD WILSON, R.A. 
ENGLISH, 1714-1782 


RIVER SCENE 

A stream with a couple of cows in the foreground, figure on 
shore in a punt, thick foliage on the left bank; on the opposite 
bank, a'steep cliff with a castle on the summit, and a cottage 
nestling at the base; hilly distance, blue sky with creamy cloud 
effect. 


Canvas. Height, 1734 inches, width, 24% inches. 


JEAN PIERRE XAVIER BIDAULD 
FRENCH, 1745-1813 


CLASSICAL LANDSCAPE 

On a slope at the left an artist is seated contemplating a figure 
group of mother and children, with a towering column and 
fragments of Roman ruins at the back amid fine tree growths, 
while a man stands behind the artist pointing toward the ob- 
jects; lake with islands and hills at the distant left; blue sky 
with buff and gray clouds. 


Canvas. Height, 26 inches, width, 35 inches. 


JAMES STARK 
ENGLISH, 1794-1859 


LANDSCAPE 

Undulating countryside with low pitched horizon, sheep, shep- 
herd and dog in the foreground, cattle and herder farther back; 
clump of bushes and groves with cottages, a mill on the crown 
of a distant hill, blue ridge at horizon; silvery and gray sky 
with touches of blue. 


Canvas. Hetght, 16% inches; width, 22 1nches. 


33 


ae 


42 [34 


35 


GEORGE MORLAND 
ENGLISH, 1763-1804 


THE MORNING’S MILK 

The maid has just milked the cow which stands at her side, 
while a woman and boy are waiting to be served; pigs at the 
left, a barn, oak tree and shed in the background; cloudy sky 
at upper right. 


(From the collection of James Allaway, 1876, and the late 
Rev. F. J. Aldrich Blake, Rector of Welch Bicknor, near 
Ross, Herefordshire. ) 


Canvas. Height, 26 inches; width, 30 inches. 


FREDERICK W. WATTS 
ENGLISH, 1800-1870 


LANDSCAPE: THE DERWENT RIVER NEAR MAT- 
LOCK 

Placid stream, ferryman at the left bank, cows on the opposite 

side, where fine wooded slopes rise to hills in the distance; 

cottages about, sky of fleeting clouds with touches of blue. 


Canvas. Height, 24 inches, width, 33 inches. 


FRANCOIS JULES BOURGOIN 
FRENCH, ACTIVE 1796 


SPORTING SCENE, CHARLESTON, JAMAICA 

A motley gathering of all classes, on foot, on horseback and in 
carriages, is amusing itself in the enclosure of a racecourse, 
where a sparring match between negro contestants, bull baiting 
and other entertainments offer a variety of choice; mountain 
range at horizon, blue sky with cloud effect. 


Panel. Height, 25 inches; width, 36/4 inches. 


36 


/ fo 


37 


ASHER BROWN DURAND, N.A. 
AMERICAN, 1796-1886 | 


CAPTURE OF MAJOR ANDRE 

In black attire, stocking feet, his hat and boots on the ground 
beside him, the prisoner is pleading with his armed captors, 
one of whom is seated, the other standing beside the brown 
horse while the commanding officer, with a resolute gesture, 
refuses an explanation; clump of trees at back, distant view at 
right, blue and cloudy sky. ' 


Canvas. Height, 25 inches; width, 30 inches. 


SAMUEL LOVETT WALDO 
AMERICAN, 1783-1861 Pirie bald 
Sel oe i Ay 
PORTRAIT OF MARIE ALLAIRE UNDERHILL bud 
VAN ZANDT 

Half length, seated slightly to the right, in lace cap and neck- 
wear, black gown and white shawl bordered with red floral 
design; landscape background. 


(Marie Allaire Underhill was the daughter of Israel Under- 
hill of Westchester County. She married Wynant Van Zandt 
in 1788, and they had eleven sons. Van Zandt was one of the 
building committee who put up City Hall. He was born in 
1767, died in 1831, and was buried in Trinity Churchyard. ‘ 
Was vestryman in Trinity from 1806 until 1811. In 1804 he 
was an alderman of New York, and was one of a committee of 
three to arrange for a portrait of John Jay by Trumbull. In 
1815 he and Mrs. Van Zandt moved to Little Neck, L. I., 
where he died at the age of 63. One of their sons, William, 
of whom there is a portrait painted by the same artist as the 
portrait of Mrs. Van Zandt, married the sister of Charles 
Avery.) 


Canvas. Height, 30 inches; width, 25 inches. 


[SEE ILLUSTRATION ] 


MARIE ALLAIRE UNDERHILL VAN ZANDT 
BY SAMUEL LOVETT WALDO 


37.) 


MATTHEW PRATT 
AMERICAN, 1734-1805 


38 PORTRAIT OF COMMANDER JOHN BARRY 
Half length, at full front, standing in a red coat with ornate 
fia: buttons and white neckerchief; view of the sea with two ships 
iy / and sunset sky at the right. 
(John Barry of Philadelphia, Captain of the “Lexington,” was 
painted in April, 1776, for John Nixon, also of Philadelphia.) 


Canvas. Height, 30 inches, width, 25 inches. 


JOHN SINGLETON COPLEY ke : ie 
AMERICAN, 1737-1815 4 thu ad Ate 


39 PORTRAIT OF BARON NEWHAVEN OF GCAkia re 
MAYNE 

Nearly three-quarter length, standing facing the spectator, 

holding his hat tucked under left arm; powdered wig arranged 

in a roll over ears, white neckerchief, lace shirt front and cuffs, 


/ Uy [0° dark blue coat and waistcoat; columns in background. 
(Privy Councillor and Member of Parliament, created a Peer 
in 17705) 


Canvas. Height, 36 inches, width, 28 inches. 


BENJAMIN WEST, P.R.A. 
AMERICAN, 1738-1820 


40 PORTRAIT OF A MAN : 
Three-quarter length, seated, slightly to the right; white neck- , | are 
erchief and brown coat; landscape background. . Ve (“4 Lf. 
“eo (Included in the Benjamin West Memorial Exhibitions at the 
ip 0 Art Alliance, Rittenhouse Square, Philadelphia, 1922, and the 
Brooklyn Museum, 1922.) 


Canvas. Height, 46 inches; width, 38 inches. 


JOHN SINGLETON COPLEY, R.A. 
AMERICAN, 1737-1815 


41 PORTRAIT OF COLONEL HERRIES | 

Nearly half length, head slightly to themledt, looking at the 
| f~ spectator, holding a sword under his left arm, in bear-skin 
4 < helmet with gold, red and white rosette, scarlet uniform; sky 


background. 
(From the collection of Lord Aberdare.) 


Canvas. Height, 30 inches; width, 25 inches. 


BENJAMIN WEST, P.R.A. 
AMERICAN, 1738-1820 


42 PORTRAIT OF MRS. WEST AND CHILD 
7 Full length, seated at her sewing, her babe peacefully sleeping 
at the left; sewing table at the right, biblical scene at farther 
end of the interior through an open window. Engraved. 
(Ge (Included in the Benjamin West Memorial Exhibitions at the — 
/3 Art Alliance, Rittenhouse Square, Philadelphia, 1922, and the 
: Brooklyn Museum, 1922.) | fe - , 


Canvas. Height, 31 inches, width, 26 inches. 


(pl 


| SEE ILLUSTRATION | 


GEORGE CATLIN 
AMERICAN, 1793-1875 


43 PORTRAIT OF PRESIDENT WILLIAM HENRY 
HARRISON 

Bust, seated, head and shoulders slightly to the right, in black 

coat, white collar and neckerchief, with a red cape, thrown 

loosely at back below the shoulders, lending a nice touch of 
AY color; gray background. 

ca (From the collection of Dr. Joseph Simms, who purchased it 
from Catlin’s nephew.) 


Canvas. Height, 29 inches; width, 24 inches. 


eT 


ND CHILD 


A 


ie 


S 
E 


PORTRAIT OF MRS. WE 


ele 


ST, 


BY BENJAMIN W 


[42 ] 


/ i( ef of a chair, in black high-necked coat, gilt buttons, white necker- 


REMBRANDT PEALE, N.A. 
AMERICAN, 1778-1860 


44 PORTRAIT OF LEWIS WARRINGTON, NAVAL 
OFFICER 
Half length, seated at full front, his left arm over the back 


chief; neutral background. Engraved by T. Gambede, 1815. 


A sword engraved with the following inscription: “Presented 
to Lewis Warrington by the crew of the Frigate ‘United 


States’, July, 1813”, accompanies the painting. 
(From a direct descendant of Lewis Warrington.) — 


Canvas. Height, 30 inches; width, 25 inches. 


GILBERT STUART 
AMERICAN, 1755-1828 


45 PORTRAIT OF MR. SUTCLIFFE 
Half length, seated, shoulders to the left, head turned toward 
the spectator; in powdered wig, plum-colored coat, and white 
neckerchief}; curtain at background, with sky effect at the left. 
(From the collection of Daniel Huntington, P.N.A., who pur- 
chased it direct from a great-niece of Mr. Sutcliffe.) 


Canvas. Height, 29 inches; width, 24 inches. 
[ SEE ILLUSTRATION ] 


Othe At Rac 


PORTRAIT OF MR. SUTCLIFFE 
BY GILBERT STUART 


[45] 


HENRY INMAN, N.A. 
AMERICAN, 1802-1846 


46 PORTRAIT OF CAROLINE HOWARD GILMAN 


pps 


4/7 


Half length, seated, head turned to the left, of a dark com- 
plexioned young lady in low-necked black gown, ruffled collar 
and figured shawl over arms; foliage background. 

(Mrs. Gilman was a poet.) 


Canvas. Height, 30 inches; width, 25 inches. 


THOMAS SULLY 
AMERICAN, 1783-1872 


PORTRAIT OF WAL FER PRICE 

Half length, at full front, of middle-aged man seated looking 
at the spectator, in dark coat with velvet lapel, tan-colored 
waistcoat; light background. 


Member of the Price family of Baltimore, bankas and ship- 
builders. ) 


Canvas. Height, 30 inches, width, 25 inches. 


MATHER BROWN 
AMERICAN, 1763 (?)-1831 


PORTRALTE OF AdEADY: 

Half length, head and shoulders slightly to the left, eyes di- 
rected toward the spectator, in white plumed hat, fastened 
under the chin, white lace-trimmed costume, and wearing a 
miniature attached to a cord about the neck; neutral back- 
ground. 


Canvas. Height, 30 inches; width, 25 inches. 


age 


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Ages 


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MATHER BROWN 
AMERICAN, 1763 (?)-1831 


DRAMATIC INCIDENT OF THE MYSORE WAR 

Scene in the palace of Tippoo Sahib, Sultan of Mysore, India, 
showing the Sultan’s sons before their surrender to the Marquis 

of Cornwallis. ‘The youthful princes in white turbans and 
robes, surrounded by ministers of state in gorgeous raiment, A _ 
all in a state of distress, stand at the threshold of the palace; Ov oh rot 
to the right, soldiers at middle distance and hills with effective ~ ~ © ~ ~ “L 
sky. Engraved. | 


Canvas. Height, 20 inches; width, 25 inches. 


MATHER BROWN 
AMERICAN, 1763 (?)-1831 


SURRENDER OF THE SULTAN’S SONS 

Companion to the preceding. The sons of Tippoo Sahib, Sul- 

tan of Mysore, India, with their retinue in the presence of the i, 
Marquis of Cornwallis at his headquarters. Effective contrast “4 
of the Indian princes and their ministers in white turbans and Ve et ALA 
robes, with the British officers; fortress and warm sky effect 
at the left. Engraved. 


Canvas. Height, 20 inches, width, 25 inches. 


KASPAR PIETER VERBRUGGEN 
DUTCH, 1664-1730 


PAIR OF FLOWER SUBJECTS 
Medallions of Pluto and Proserpine and Apollo and Daphne, 
surrounded by wreaths of varicolored flowers. 


Ganvas. Height of each, 2534 inches; width, 3034 inches. 


§2 


FREDERICK W. WATTS 
ENGLISH, 1800-1870 


LANDSCAPE 
River scene, with ruins of a Romanesque castle on rising © 
ground; cottages, figures and boats; warm sky of blue and sil- 
ver with slight cloud effects. | 


Canvas. Height, 20 inches, width, 30 inches. 


MELCHIOR D’HONDEKOETER 
DUTCH, 1636-1695 


DUCKS AND BIRD OF PREY 7 

A variety of ducks and ducklings in a pond, while a hawk is 
about to pounce upon a duck asleep on a parapet where a drake 
is on guard; hilly distance, cloudy sky. | 
Canvas. Signed at the left. Height, 38 inches; width, 26% 


inches. 


WILLIAM BROWN, JR. 
ENGLISH, ACTIVE 1798-1808 


WAYSIDE INN 

A couple of huntsmen, one of whom has dismounted, have 
stopped with their dogs at an inn for refreshment; the barmaid 
is seen at the entrance; there is a glimpse of sky at the left. 


Canvas. Signed at lower left. Height, 25 inches, width, 30 
inches. 


55 


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56 


G- 


WILLIAM BROWN, JR. 
“ENGLISH, ACTIVE 1798-1808 


HORSES AT A FORD 

A boy mounted on a white horse has entered a stream and is 
tugging at the halter of a brown horse standing on the bank, 
which seems reluctant to enter the water; a dog farther back, 
wooded spot in thick foliage; blue sky with gray and creamy 
cloud effect. 


Canvas. Height, 25 inches; width, 30 inches. 


RALPH EARLE 
AMERICAN, 1751-1801 


PORTRAIT OF A LADY 

Nearly three-quarter length, slightly to the right, seated in 
green armchair; in gray costume with ruffed neckwear, pearl 
ornament in curly dark hair, holding a book; brown-pink cur- 
tain background. 


Canvas. Height, 36 inches; width, 28 inches. 


SAMUEL LOVETT WALDO 
AMERICAN, 1783-1861 


PORTRAIT OF CHARLES AVERY 


Half length, seated in armchair, head and shoulders slightly to 
the left, eyes directed toward the spectator, in black coat and 


~ waistcoat and white neckerchief; landscape background. 


(Philanthropist of Pittsburgh, where a monument has been 
erected to him.) 


Canvas. Height, 30 inches; width, 25 inches. 


60 


LEMUEL FRANCIS ABBOTT 
ENGLISH, 1760-1803 


PORTRAIT OF A SPORTSMAN | 
Nearly three-quarter length, body to the front, head turned 
slightly to the left, in scarlet, gold embroidered coat, holding 
his gun under his right arm, the hand tucked under his blue 
waistcoat, the left hand raised in gesture; dog seen at the left, 
landscape background. 


Canvas. Height, 40 inches, width, 3134 inches. 


THOMAS HAND 
ENGLISH, ACTIVE 1790-1804 


GYPSY ENCAMPMENT 

In a convenient nook off the main road a number of gypsies are 
engaged about a small fire, cooking their food; open distance 
at the right, with hilly country; fleeting cloud effect in silver 
and gray tones. 

(Hand was a boon companion of George Morland, and his 
works are often mistaken for Morland’s.) 


ce Liste eR ami A a i Be i ge a SR a i Se Sri 


Canvas. Signed and dated 1792 at lower mee Height, 28 
inches; width, 36 inches. 


THOMAS HAND 
ENGLISH, ACTIVE 1790-1804 


GYPSY RETREAT 

Companion to the preceding. In a thickly wooded spot over- 
grown with luxuriant foliage, three gypsies and their dog are 
seen under a fine oak tree, Aout their camp fire. 


Canvas. Signed and dated 1792 at lower right. Height, 28 
inches, width, 36 inches. 


61 


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62 


JAMES SHAW 
ENGLISH, EARLY 19TH CENTURY 


LANDSCAPE 

Fine view of hilly country, a woman and child riding a donkey 
accosted by a boy in the foreground, mellow field with a figure 
and houses sloping to a valley at middle distance, groves of 
trees at right and left, rising hill beyond with mountains at the 
horizon; effective silvery and gray cloud in blue sky; charming 
in execution. 


Canvas. Signed and dated 1810 on fence rail at lower left. 
Height, 38% inches, width, 52% inches. 


MATTHEW HARRIS JOUETT 
AMERICAN, 1788-1827 


PORTRAIT OF MRS. JAMES G. McKINNEY 

Half length of a young lady looking at the spectator, dark hair 
arranged high on head, wide double lace collar over gray 
bodice; light gray background. 

(Mrs. McKinney was Frances Berryman. ) 


Canvas. Height, 27% inches, width, 22 inches. 


THOMAS BIRCH 
AMERICAN, 1779-1851 


PORTRAIT OF SILAS TALBOT 

Half length, seated turned to the right, in dark blue coat, white 
waistcoat and neckerchief, holding a telescope; glimpse of 
sea with a sailing vessel, gray and creamy sky effect. 


Canvas. Signed at lower right. Height, 24 inches; width, 
20 inches. 


64 


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66 


THOMAS BIRCH 
AMERICAN, 1779-1851 


NAVAL ENCOUNTER | 
The frigate “Constitution,” commanded by Silas ‘Talbot, is seen 
giving battle to the enemy. 


Canvas. Height, 18 inches, width, 23 inches. 


REMBRANDT PEALE, N.A. 
AMERICAN, 1778-1860 


PORTRAIT OF EDWARD TILGHMAN 

Half length, seated on red-backed chair at full front, of an 
elderly man, in brown coat and tan-colored waistcoat; gray 
background. Engraved by Max Rosenthal. 


Canvas. Height, 29 inches; width, 23% inches. 


JAMES FROTHINGHAM, N.A. 
AMERICAN, 1786-1864 


PORTRAIT OF MRS. BERGEN 

Half length of an elderly lady seated looking toward the spec- 
tator, wearing white headdress tied under the chin, and black 
gown; gray background with curtain at the right. 

Canvas. Height, 30 inches, width, 25 inches. 


67 


ie 


68 


69 


JAMES FROTHINGHAM, N.A. 
AMERICAN, 1786-1864 


PORTRAIT OF A LADY 

Half length, seated at full front, Wearing a gray house-bonnet 
and neckerchief over a brown dress, hand resting on knee; in- 
terior background. Finely characterized. 


Canvas. Height, 30 inches; width, 25 inches. 


WILLIAM SIDNEY MOUNT, N.A. 
AMERICAN, 1806-1868 


POTRAIT OF H. S. MOUNT 

Half length, shoulders to the front, head turned to the right; 
in dark coat with gilt buttons, velvet collar, black silk necker- 
chief; right hand resting on back of a chair, holding a cigar: 
curtain at the left, warm background. On back, unfinished 
portrait by Mount, dated 1828. 


Canvas. Height, 30 inches; width, 25 inches. 


ASHER BROWN DURAND, N.A. 
AMERICAN, 1796-1886 


COURT MARTIAL SCENE, GENERAL ANDREW 
JACKSON PRESIDING 

A delinquent grotesquely equipped, holding a huge red-tipped 
sword and a gun, appears before the tribunal of officers to be 
judged. he General starts up from his seat amazed by the 
effrontery of the individual, while other members are puzzled 
by the serio-comic situation; street idlers, among them an old 
negro, look in at the doorway. 

A copy of an old clipping accompanies the picture. 


Canvas. Height, 30 inches; width, 38% inches. 


CHESTER HARDING 
AMERICAN, 1792-1866 


70 LHEXKING FAMILY GROVE | 
The artist’s fancy has led him to introduce six heads into his 
composition, with a dark-haired young lady in profile at the 


fo / left, a young man facing the spectator to her right, then the 


mother also at full front, followed by a girl just entering her 
teens, with the baby of the family, a little girl, near the centre, 
and a lad in Eton collar at the lower right, all to the front and 
vignetted into a background with cloud effects. 


Panel. Height, 30 inches; width, 2434 inches. 


JOSEPH BADGER 
AMERICAN, 1708-1765 


Abt | 
71 PORTRAIT OF A GENTLEMAN aa Rs 
Full length, seated turning to the left, holding a quill pen an 
about to write on a table; in close-fitting blue costume, with 


gold embroidery, brown topcoat, steel gray stockings and shoes 
with gilt buckles; brown background. 


Canvas. Height, 66% inches, width, 39% inches. 


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AT EIGHT-FIFTEEN O’CLOCK 


SECOND SESSION 
LOTS 72-132 


ITALIAN SCHOOL 
17TH CENTURY 


PAIR OF ITALIAN VIEWS 

(a) Showing a party of nobles accompanied by their jesters 
about to enter a chateau; town and hills at distance, blue and 
warm-tinted sky. 

(b) Group of a gentleman and two ladies near some ruins at 
the left, bay with fishermen at the right, town and hills at dis- 
tance, blue sky with cloud effects. 


Canvas. Height of each, 10 inches, width, 16 inches. 


H. G. NILANT BANNIER 
EUROPEAN, 19TH CENTURY 


STILL LIFE 

Arrangement of flowers in a large vase with a nest of eggs 
at the right on a parapet; neutral background. 

Canvas. Signed at lower centre. Height, 2434 inches; width, 
19% inches. 


HENRY WYATT 
» ENGLISH, 1794-1840 


7A oe @) ROR Le) Pa eye 


76 


Three-quarter length, seated, body to the left, head facing the 
spectator, silken black hair parted in the middle and hanging 
in curls, low pearl-gray satin bodice and gown, holding a bou- 
quet of flowers in her right hand; landscape background, with 
a column at the right; deep blue sky effect. 


Canvas. Height, 36 inches; width, 24% inches. 


ATTRIBUTED TO HIERONYMUS BOSCH 
FLEMISH, 1460-1518 


THE GOOD SHEPHERD 

Christ carrying a lamb, and sheep standing at his side in the 
door of the fold, while the thieves and robbers try to enter by 
some other way; illustrating Chapter 10, verses 1 to 16, of St. 
John; hilly landscape, sunset sky. 


Panel. Height, 21 tnches,; width, 26% inches. 


SIR WILLIAM BEECHEY, R.A. 
ENGLISH, 1753-1839 


PORTRAIT OF MASTER WIGZELL 

Half length, seated at full front, of a blue-eyed blond boy in 
broad white collar, dark blue coat and waistcoat, his arm rest- 
ing on a pedestal holding a book; brown background. 

(From the collection of J. J. Wigzell, London.) 


Canvas. Height, 30 inches; width, 2434 inches. 


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LOUIS LANDRY 
FRENCH, 18TH CENTURY 


AFTER THE SOIREE 

Two ladies and a courtier seated, and a young gallant, standing 
informally, are having a chat in the music room after the re- 
hearsal, as the open clavecin, scores and a violin at the left 
would indicate; all in rich attire in a sumptuous interior. 


Canvas. Signed and dated 1781 at lower left. Height, 32 


inches, width, 30 inches. 


GEORGE STUBBS, R.A. 
ENGLISH, 1724-1806 


PORTRAIT “OF MR. GARNHAM BESIDE HIS 
HORSE 

Standing, looking at the spectator, in black jacket, white waist- 

coat and knee breeches, top boots, with his arm on pommel of 

the saddle of a fine dapple-gray horse; his little daughter at the 

right and a black and tan dog at the left; landscape with heavy 

foliage and glimpse of sky. 


Canvas. Height, 31% inches; width, 3634 inches. 


WILLIAM OWEN, R.A. 
ENGLISH, 1769-1825 


PORTRAIT OF A GIRL 
Half length presentment of a girl holding a basket of flowers 
on her left arm, long chestnut hair, open neck, tan-colored 


jacket; foliage background. | 
(From the collection of Col. I. C. Robertson Whitfield. ) 


Canvas. Height, 30 inches, width, 25 inches. 


So 


81 


GIULIO ROMANO 
ITALIAN, 1492-1546 


PUIGE PINT OsE Gy Ea: , 
The Madonna is seated with the youthful Christ standing at 
her side, two angels are offering them fruit, while a third is 
holding the branches of a palm tree which affords them shelter; 
the ass is browsing at the right; hilly distance, with glimpse of 
a town. 

(From the collection of Mrs. Harrington, West Kensington, 
London, England.) 


Canvas. Height, 18 inches; width, 19 inches. 


JOHN: OPIE, R.A. 
ENGLISH, 1761-1807 


PORTRAIT OF MR. BOSWELL 

Half length, seated, facing the spectator, of the famous biog- 
rapher of the great Dr. Johnson; in red velvet jacket, neutral 
background. | 

(From the collection of Sir Robert Rowlinson, K.C.B.) 


Canvas. Height, 30 inches; width, 25 inches. 


KARL EMMANUEL BISET 
DUTCH, 1633-1680 


LANDSCAPE WITH FAMILY GROUP 

In a park close to a small stream beside the bridge, a gentle- 
man and his wife are posing to the artist, while the nurse with 
the baby and a child at her side, and a dog, are at the left, and 
the little boy and his younger sister and a dog at the right; 
swans are seen in the water, and a figure is on the path in the 
distance; glimpse of a village near the horizon; blue sky with 
gray and creamy clouds. 


Canvas. Height, 28 inches; width, 3534 inches. 


THOMAS BARKER, OF BATH 
ENGLISH, 1769-1847 


MRS. MAJOR COWLES OF POTTER’S BAR, HERE- 
FORDSHIRE 

Half length, shoulders to the left, head turned to the spectator, 

stately blonde lady in large black hat, white fichu over bodice, 

with fur-edged gown, holding a black muff; neutral gray back- 

ground. 


Canvas. Height, 30 inches, width, 25 inches. 


FRANCESCO BOTTICINI 
ITALIAN, 1446-1497 


SAINT JAMES THE GREAT AND SAINT ANTHONY 
OF PADUA 


Holding a crozier and book, in red and black robes, St. James 
is standing at the left, while St. Anthony is in black at the 
right and holds a red book; landscape background, blue sky 
with quaint cloud formations. 


Panel. Height, 29 inches; width, 174 inches. 


SIR JOSHUA REYNOLDS, P.R.A. 


ENGLISH, 1723-1792 he ware | | 


$5 ‘CARICATURE OF DR JOHNSOM LANGTON, 
BEAUCLERC AND REYNOLDS 
602 The famous Doctor stands in the foreground holding a heavy ~ 

cane, Topham Beauclerc and Bennett Langton are discussing 
the merits of a book at the left, while Reynolds is seated at his 
easel on the right, busy with palette and brush; a portrait study 
on canvas is on the floor face out. 
(Painted in Rome, 1753. From the collection of Mrs. Henessy, 
Dublin. inclaten in Loan Exhibition of Old Masters at the 
Palace of Fine Arts, San Francisco, California.) 


Canvas. Height, 25 inches, width, 30 inches. 


[SEE ILLUSTRATION ] 


CARICATURE OF DR. JOHNSON, LANGTON, BEAUCLERC AND REYNOLDS 
BY SIR JOSHUA REYNOLDS, P.R.A. 


[35] 


=; 86 


Vou % 


Stream zigzagging through level country, with 


GEORGE BARRETT WILCOCK © 
ENGLISH, 1820-1852 Fa ea 


LAN DSCAPE WEA ee Eee 
cows at the right, fine wooded bank at the left, w 


is seen, farm wagon at distance, groves at. hori: Z 
fective clouds and patches of blue. — 


Canvas. Height, 25% ches width, 3074 inches as 


[SEE ILLUSTRATION] 


LANDSCAPE WITH CATTLE 
BY GEORGE BARRETT WILCOCK 


[86] 


ie the spectator, Wa statis ats : 
a roll over the ears; in blue coat, white n n 
neutral Nideneanact 


Canvas. seeds 24 4 inches; aire 20 inc 


[ SEE ILLUSTRATION | 


PORTRAIT OF A GENTLEMAN 
BY SIR WILLIAM BEECHEY, R.A. 


[87] 


t 


Shige 


88 MADONNA AND CHILD 


ITALIAN, ae f 1sTH ae NTUR 


The Virgin in red, blue and pink inapene st 

posed together looking reverently at the nude Infa 
bird and seated on a green and white cushion lace 
trade; landscape background. ae 
pinleresntan of attribution by Dr. Bernhard | 


Panel. Height, 9 inches; width, 15 inches. | a = 


ee 


[SEE ILLUSTRATION ] 


MADONNA AND CHILD 


INA 


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BY PIETRO DA 


[88] 


ac 


89 


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JAN SANDERS, CALLED HEMESSEN 
FLEMISH, 1504-1560 Q_ 
/ 


KAN 

PORTRAIT OF SEIGNEUR VAN PEEMAay OF a 
CASSEL 

Half length, head and shoulders to the front, in black cap and 

coat with leopard skin lapels, heavy gold chain about neck and 

red silk sleeves; gray background with coat of arms at upper 

left. 

Translation of inscription on contemporary frame: “In order 

to live in this house in peace and good fellowship as in an 1m- — 

pregnable castle, treat your brothers in aceaT aaa tietea for 

truly God 1s there where Peace reigns.” 

(Included in Loan Exhibition of Old Masters at the Palace of 

Fine Arts, San Francisco, California.) — 


Panel leighin2s inches, width, 1934 inches. 


JOHN OPIE, R.A. 
ENGLISH, 1761-1807 


PORTRAIT OF MRS. HALE 

Half length, head and shoulders to the left, eyes directed 
toward the spectator, deep chestnut hair falling in locks over 
her left shoulder, in white fichu over black gown; scarlet cur- 
tain background with glimpse of sky at the left; feigned oval. 
(Purchased from the Hale family, Clifton, Bust ) 


Canvas. Height, 30 inches, width, 25 inches. 
[SEE ILLUSTRATION ] 


PORTRAIT OF MRS. HALE 
BY JOHN OPIE, R.A. 
[90 ] 


QI 


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SCHOOL OF MEMLING - 
FLEMISH, 15TH CENTURY 


MADONNA AND CHILD 

The Virgin in deep blue, red and white draperies is seated on 
a mound holding the nude Infant on her knee; cliff at the left, 
pond and mill at the right, hilly distance, blue sky. 


~ Panel. Height, 17 inches; width, 1734 inches. 


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SIR GODFREY KNELLER 
| ENGLAND, 1646-1723 


PORTRAIT OF LADY FRANCES HAMILTON 

Half length, shoulders at full front, head slightly to the left, 
sandy blonde hair, in gray bodice, low-necked with lace inser- 
tion, and dark blue cloak thrown over her right shoulder; gray © 
background, feigned oval effect. 

(Lady Frances was the sister of Sarah, Duchess of Marlbor- 
ough. ) | 


Canvas. Height, 30 inches; width, 25 inches. 


SIR WILLIAM BEECHEY, R.A. 
ENGLISH, 1753-1839 , 


PORTRAIT OF A GIRE? WITHA OG 
Half length, to the front, of a buxom English lass standing at 
a garden gate, her left hand posed on her chin, holding a gray | 
poodle under her right arm; foliage background. 


Canvas. Signed with initials and dated 1836 at lower right. 
Height, 30 inches; width, 25 inches. 


yD s’ 


94 CICERO AND FRIENDS AT VILLA ARPINUM 


cr: 


9; NATIVITY 


eng 


RICHARD WILSON, R.A. 


ENGLISH, 1714-1782 ee 
(Lue hres Gat : Ol og 


A rushing torrent divides the foreground; on the right bank 
Cicero, Atticus and Quintus are seen admiring a giant oak, a 
bridge beyond leading to the villa is seen at the right, and park 
near by rises to distant hills partly enveloped in mist; blue sky 
with rolling gray and creamy cloud effect. 

(Listed in Royal Academy Exhibition, 1770, No. 201. In- 
cluded in Loan Exhibition of Old Masters at the Palace of 
Fine Arts, San Francisco, California. ) 


Canvas. Height, 34 inches, width, 42 inches. 


ANTONIO DA VITERBO 
ITALIAN, 1478-1509 


The Virgin kneels with folded hands adoring the Infant Christ 
seated on the ground, Joseph is at the left, the manger with the 
ox and ass looking forth is at the right, and a hunter with spear 
and dogs at the distant left; hilly landscape, with an angel in | 


the blue sky. 
(From the collection of Prof. Grassi of Florence.) 


Panel. Height, 20% inches; width, 15 inches. 


ST I a" PRI 


LUCA CASANOBRIO, CALLED CARLEVARIS 


VENETIAN, 1665-1751 | z 
96 PAIR OF VENETIAN VIEWS Leet Roe, a 
(a) San Giorgio Maggiore, Venice. ‘he island with its fine 
{ church, tower and dependencies is reflected in the mirror-like 
“0 O- blue water of the lagoon; sailing craft and gondolas at right 
and left and in the distance, silhouette of palaces; blue sky with 
fine cloud effect. 
(b) Doge’s Palace, with the Piazetta and the columns of St. 
Mark and St. ‘Theodore and adjoining palaces at the right, 
custom house and church of Maria della Salute in the distance, — 
various barges, gondolas and quaintly rigged craft in the rip- 
pling blue waters; blue sky with slight cloud effect. 
(From the Nicolle collection. ) 


Canvas. Height of each, 21% inches, width, 33% inches. 


SIR GODFREY KNELLER 
ENGLAND, 1646-1723 


97 PORTRAIT OF MARTHA, WIFE OR Via 

2 BAKER, ESQ. 
Nearly full length, seated to the front, of a young lady, light 
brown hair dressed high on the forehead and dropping to the 
shoulders at the back, in open corsage, deep blue gown with 
white at the bodice and sleeves, red drapery over left knee and 
parapet at right, where arm is resting; background with stone 
column and landscape effect. 


‘(~ 
X 


Canvas. Inscribed at left,“ Martha, daughter of Samuel Mel- 
lish Esq. wife of Daniel Baker Esq. born 8 April 1668, married 
8 April 1686, died 1753.” Height, 50 inches, width, 40 inches. 


98 


“ 
Se 


I0OO 


JAN VAN SCOREL 
DUTCH, 1495-1552 


MADONNA AND CHILD 
The Virgin seated holds the Infant, standing on her knee and 
playfully grasping at her cheek as she withholds a branch of 
wild roses; neutral background. 


Panel. Height, 21 inches; width, 18 inches. 


- THOMAS BARKER OF BATH 
ENGLISH, 1769-1847 


PORTRAIT OF A LADY 


99 
oe <= Half length of an attractive young lady, seated, shoulders to the 


right, head to the front, hands resting on a table at the right, 
in jaunty wide-brimmed blue hat, silvery gray gown with lace 
collar and cuffs and blue sash; dark background. 


Canvas. Hetght, 28 inches, width, 23 inches. 


JOOST VAN CLEEF, THE YOUNGER 
FLEMISH, 1520-1556 (°) 


MADONNA AND CHILD oD (ell, 


In a white robe with a gray hood, the Virgin leans forward 


to nurse the nude Infant seated on her knee, with his back to the 
spectator, whom He regards playfully over his left shoulder; 


dark background. 
(From the collection of Lt. Col. Molyneux, Berkshire, Eng- 
land. Exhibited at one of the winter exhibitions of Old Mas- 


ters at Burlington House, London.) 


Panel. Height, 31 inches, width, 2534 inches. 


— Ail 


FRAN CESCO RIZZI DA Se 
ITALIAN, 1490-1 548° 


| 101 MADONNA, CHILD AND SIMEON THE 
a | The Virgin in red, blue and white draperies h 
0 7 


Infant while Siaenn with long gray Bee s ag t 
holding a book; landscape background. . 


Panel. Height, 28% inches; width, 27 inches am | 


Ps 
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ie 


[SEE ILLUSTRATION] 


Se eon oe 


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E 


TH 
BY FRANCESCO RIZZI DA SANTA CROC 
[ 101 | 


AADONNA, CHILD AND SIMEON 


N 


102 


CHRISTOPHER AMBERGER 


GERMAN, 1500-1562 (?) — 2 ae “a g 
PORTRAIT OF CONRAD ZELLER © oe a 
At half length, standing facing the spectator, in rich attire of q 
the period, holding documents and gloves. Coat of arms at | 


upper left. 
(Included in Loan Exhibition of Old Masters at the Palace 


of Fine Arts, San Francisco, California.) 


Panel. Height, 28% inches, width, 2134 inches. 


[SEE ILLUSTRATION | 


PORTRAIT OF CONRAD ZELLER 


{BERGER 


CHRISTOPHER A 


y 


BY 


JUAN BAUTISTA DEL MAZO 
SPANISH, 1612 (?)-1667 


103 ae OF SPANISH SUBJECTS 
) Three cavaliers greeting their ladies seated in an arbor: 
ne og in foreground, cloudy sky. a 
) An enraged bull charging a party picnicking 1 in a Peace 


ae Ae a tree; silvery gray and blue sky. 
Canvas. Height of each, 14% inches; width, 9% inches. 


BERNARDINO LANNINO 
ITALIAN, 1510 (?)-1578 


1004 MADONNA AND CHILD W ; Fr Ws 
The Virgin in rich draperies leans forward to nurse the Infant 
, .- seated on a cushion, holding an apple; heavy curtains as back- 
- ground, haloes and various decorations in gold. 
Endorsement of attribution by Dr. Bernhard Berenson. 


Panel. Height, 2344 inches; width, 15% inches. 
[ SEE ILLUSTRATION | 


MADONNA AND CHILD 


ERNARDI 


NO LANNINO 


BY B 


[ 104 ] 


105 


of Ie 


AMBROSIUS BENSON 
_FLEMISH, —— - 1550 


PORTRAIT OF A GENTLEMAN ’ x ts: 
Half length, facing the spectator, brown hair, slight Famiee 
tache and bane in black velvet jacket with silk-lined cape 
thrown over ei shoulder, feather-trimmed and ornamented 
velvet cap, lace collar, holding a jewelled ring in his right 
hand and gloves and hilt of ok in the left; dark background. | 
(Included in Loan Exhibition of Old Masters at + Palace of 
Fine Arts, San Francisco, California.) 


Panel. Height, 1734 inches; width, 12% inches. 


[SEE ILLUSTRATION | 


PORTRAIT OF A GENTLEMAN 
BY AMBROSIUS BENSON 


[105 ] 


say “MADONNA, CHILD AND SAINT 

g The Virgin is seated pressing the Tee 
00- a female Saint is offering an urn at th 
| seated eae ee poets at aie “ae 


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MAAS LEMAR ne a, es. 


[SEE ILLUSTRATION ] 


ttl PSE os Ae, 


D AND SAINTS 


CHIL 


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MADONNA 


MASTER OF FRANKFORT 


BY 


[ 106 | 


REMBRANDT VAN RIJN 
DUTCH, 1606-1669 | 


107 ST. PETER IN PRISON’ AS hoc 
| Seated in pious attitude against a buttress in tl 
{Q0-— hands folded on a book placed on his knee, he 

light descending from above and bathing his 
glow; his feet are in sandals, and a chain abc 
Pastened to a rock at the right; in blue and 
brown robe; manuscripts about the floor. 
(Included in Loan Exhibition of Old Mz 
Fine Arts, San: Francisco, California: ) 


Panel. Height, 15% inches, width, 12% 


a a ee ee 


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gtdege: 


[SEE (LL ISTRATION ] 


ST. PETER IN PRISON 
BY REMBRANDT VAN RIJN 


[ 107] 


PIETER PAUL RUBENS 
FLEMISH, 1577-1640 


108 THE HUNT wll tas 


/ A. party of horsemen, some in Moorish costume, partly 
oh 9 = mounted, are spearing a gray bull which is attacking one of 

their number; two men with swords at the left and several dogs” 
about, spirited action; flat country, trees at the left, gray sky. _ 

Endorsed by Dr. Bode as an entirely original sketch from the 
hand of Rubens. Illustrated page 186, Zeitschrift fiir Bildende 

Kunst, May, 1912: “Gamalde des Rubens in Amerika”, by 

Wilhelm R. Valentiner. Ki 
(Included in Loan Exhibition of Old Masters at Palace of 
Fine Arts, San Francisco, California.) 


Panel. Height, 29 inches; width, 60% inches. 


“ey 


| SEE ILLUSTRATION ] 


THES UNT 
BY PIETER PAUL RUBENS 


[ 108 | 


SIR ANTHONY VAN DYCK 
FLEMISH, 1599-1641 


109 PORTRAIT OF THOMAS CHALONER 1a B | 


Half length, shoulders to the front, head turned to the left, long 
curly, dark brown hair, moustache and goatee, in scalloped 
lace collar and black silk dress with slashed sleeves, his right 
hand pointing to his sword; rich brown background. 

(Thomas Chaloner was a member of parliament, and signed 
the death warrant of Charles I.) 

(From the Honington Hall collection, Shipston-on-Stour, 
Warwickshire. ) 


Canvas. Height, 41% inches, width, 32% inches. 
[SEE ILLUSTRATION] 


John Smith, the author of the “Catalogue Raisonné,’ and many other 
writers on Van Dyck, in dealing with this famous portrait, have confused the 
father and the son. ‘The portrait does not represent Sir ‘Thomas Chaloner, the 
naturalist, who was born in 1561 and who died in 1615, for these dates at once 
prove that it could not be of him. As a matter of fact, it represents Sir Thomas 
Chaloner’s third son and namesake, who was born in 1595 and who died in exile 
in 1661. 

Thomas Chaloner, whose chief claim to fame is that he was one of the regi- 
cides who signed the ais warrant of Charles I, was one of the most prominent 
figures in the struggles between the Stuart king and his people, and he figures 
largely in the history of that stirring period in English history. He was born 
at Steeple Claydon, Buckinghamshire, in 1595, and matriculated at Exeter 
College, Oxford, at the age of sixteen. He took no degree and his education 
was finished under the superintendence of his father. Like most other young 
gentlemen of the 17th and 18th centuries, he made the Grand Tour on the 
Continent of Europe, from which he is said to have returned not only “a per- 
fect gentleman,” but with strong republican sympathies. He settled on the 
paternal estates at Guisborough and was elected to the English House of Com- 
mons for Richmond, Yorkshire, in 1645. A fluent speaker, he took up the 
cause of the people as against that of the monarchy. During the Civil War he 
made a famous speech on the reading of the Scottish papers respecting the dis- 
posal of the King’s person. He opposed all the Scottish encroachments on what 
he called the “English rights,” and published an ‘‘ Answer to the Scottish 
Papers.” In 1647 he and Colonel Temple were appointed Commissioners of 
Parliament to transact affairs in the Province of Munster. In the year follow- 
ing ( 1648) he was one of the King’s judges, attending 167 of the meetings and 
signing the death-warrant. In 1651 he was a Councillor of State and Master 
of the Mint. ‘Two years later he seems to have aroused the anger of Oliver 
Cromwell and at the dissolution of the Long Parliament was described by the 
Great Protector as a drunkard. In 1658 he was a member of Parliament for 
Scarborough and during this year was sent to prison by Fleetwood. 

We have an interesting pen-portrait of him by Anthony A. Wood, the 
chronicler of the period: ‘““This Thomas Chaloner, who was far from being a 
Puritan or a Presbyterian as the East is from the West, for he was a boon com- 


PORTRAIT OF THOMAS CHALONER 
| BY SIR ANTHONY VAN DYCK 


[ 109] 


Ay 


panion, was of Henry Marten’s gang, was of the natural religion and loved to 
enjoy the comfortable importance of this life, without any tegard of lee up 
for a wet day, which at last he wanted.” 

Realizing that the restoration of the monarchy was inevitable, Ghalorer 
published a speech containing a plea for monarchy (1659), but his change of 
attitude was too late, and at the return of Charles II to England he fled to the 
Low Countries, dying at Middleburg in Zeeland in 1661. 

The son and grandson of famous men (his grandfather, also Sir Thomas 
Chaloner—1521-1565—-was a diplomatist and was painted by Holbein), 
Thomas Chaloner’s mother was Elizabeth Fleetwood, daughter of William 
Fleetwood, Recorder of London. ‘There is evidence that “Thomas Chaloner 
was fe but nothing definite is known of his wife and apparently he left 
no issue. 

There are two portraits by Van Dyck of Thomas Chaloner. ‘The best 
known version, engraved by R. Earlom, in the 18th century, was long one of 
the treasures of Houghton Hall, Norfolk, the property of the Walpole family. 
This, which measures 40 by 32 inches, passed with the other pictures forming 
the Houghton Hall Gallery into the possession of the Empress Catherine and 
now adorns the Hermitage, Petrograd. “The present version, which has been 
declared by Dr. Bode as the work of the master, has all the force and vigour of 
Van Dyck’s art during his residence in England. It measures 4114 by 3214 
inches. 

(Signed ) W. RoseErTs. 
New York, February 26, 1917. 3 


LOUIS TOCQUE 
FRENCH, 1696-1772 


110 PORTRAIT OF COMTE DE BERLAIMONT 


Half length, at full front, looking at the spectator; white pow- 
dered wig, and in armor, holding the plumed casque; with a 
red drapery; landscape background. 

(Included in Loan Exhibition of Old Masters at Palace of 
Fine Arts, San Francisco, California.) 


Canvas. Height, 31 inches, width, 25 inches. 


Pl 


LANDSCAPE—-PILL BAY, NEAR BRISTOL 
BY THOMAS GAINSBOROUGH, R.A. 


THOMAS GAINSBOROUGH, R.A. 
ENGLISH, 1727-1788 


LANDSCAPE: PILL BAY, NEAR BRISTOL 

Rugged countryside, a stream at the right with fine trees, cot- 
tages and a bridge farther back, a traveller and dog on the 
sandy road at the left, cottage nestling among thick foliage on 
slope, descending to bay at the distance, where a ship is seen; 
blue sky with cloud effect. 


Canvas. Hetght, 20 inches, width, 24 inches. 
[SEE ILLUSTRATION 


S00-¢ obelisk, an equestrian statue of an emperor, a column of vic- | 


GIOVANNI PAOLO PANNINI 
ITALIAN, 1695-1768 : 


112 PAIR. RUINSOFOLDROME PY Rb 


(a) Graphic presentment of the Pantheon, statue of Hercules, 


tory, and remains of temples; groups of figures and a dog 
about; fine sky of fleeting gray and silver-lined clouds. 

Canvas. Signed and dated 1737 on a cornice at lower right. 
(b) The amphitheatre of the Coliseum, with various statues of 
gladiators at the left; the arch of Constantine, a beautiful urn 
and various fragments at the right; figures and a dog about, a 
pyramid in the distance; effective blue sky with fine cloud 
effects. 

Canvas. Signed and dated 1737 on pedestal at left centre. 


Height of each, 38% inches, width, 53% inches. 


JOHN CONSTABLE, Rex: 
ENGLISH, 1776-1837 


113°- LANDSCAPE WITH -FIGURES 
Rich meadow land with tree groups at the right and left, a 
couple of figures in the grass in the foreground, rising country ~ 
in the distance, with hills at the horizon; blue sky with silver 
cloud effects. 
(From the J. Staats Forbes collection.) 


Panel. Height, 10% inches; width, 1334 inches. 


116 


/>-So- 


ATTRIBUTED TO AMBROGIO DA PREDIS 
ITALIAN, 1450 (?)-1520 


Pee COR FRAT OF A-GIRL 


Half length, shoulders to the front, head turned to the lett; 
auburn hair, jewelled lace headdress, pearl necklace, low 
square-cut bodice of gold-flowered material; dark background. 
Reminiscent of Leonardo da Vinci, with whom da Predis col- 
laborated. 

(From the collection of Baron Lazzaroni, of Rome.) 


Canvas. Height, 15% inches, width, 12 inches. 


JAN WIJNANTS 
DUTCH, 1615-1679 


LANDSCAPE WITH HUNTING PARTY 

A road through wooded country, with a party of hunters with 
a horse and dogs; cottage at the left, rolling distance, bright 
blue sky with fleeting cloud effects. 

(From the Gilmore collection. ) 


Canvas. Signed. Height, 26% inches, width, 31% inches. 


STUDIO OF FRA FILIPPO LIPPI 
ITALIAN, 15TH CENTURY 


MADONNA, CHILD AND ANGELS © 

The Madonna in rich draperies is enthroned, with the Infant 
partly clothed on her knee, about to be nursed; four angels in 
attendance, glimpse of a garden at back, with fleecy clouds in 
blue sky. 

Dr. Oswald Siren has suggested that this painting was prob- 
ably designed by Fra Filippo Lippi, and finished by Piero di 
Lorenzo Pratese, a pupil. 


Panel. Height, 34 inches; width, 2434 inches. 


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ANTOINE VESTIER am 
FRENCH, 1740-1824. °" == a 


PORTRAIT OF MLLE. ROUILLIE a. 
Three-quarter length, seated at a clavecin to the 
turned toward the spectator, powdered curls with | 
bow, low-cut chocolate-colored gown edged with lace anc | blue 


sash, flowered ALEC al tee | Bh: 7 
Canvas. Signed and dated 1792 at ear left. ‘He 21g yy 26. 


inches, width, 26 inches. aa 


[SEE ILLUSTRATION ] 


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ANTHONIE PALAMEDES 
DUTCH, 1600-1673 © 


PORTRAIT OF A LADY 

Three-quarter length, standing, head and shoulders toward the 
left, in white lace headdress, wide stiff collar and cuffs, black 
costume, holding a glove. 

tirellaribedl | in Loan Exhibition of Old Masters at the Palace of 
Fine Arts, San Francisco, California.) 


Canvas. Signed and dated 1654, and inscribed “age 38” at the 
left. Height, 3234 inches; width, 26% inches. 


SIR JOSHUA REYNOLDS, P.R.A. 
ENGLISH, 1723-1792 


SELF-PORTRAIT oS Orbea 
Bust, head and shoulders turned slightly to the right, powdered 
hair, eyes directed toward the spectator, wearing spectacles, 
dark coat with cream-colored silk-lined lapels, and white-neck- 
erchief. 


Canvas. Height, 23% inches, width, 19 inches. 


BERNARDO BELLOTTO 
ITALIAN, 1724-1780 


MARRIAGE OF THE ADRIATIC 

The famous Venetian festival, showing a gala barge gaily deco- 
rated in the foreground, with numerous gondolas dotting the 
water, a large assemblage of people of all classes on the shore, 
the Doge’s Palace, Campanile and noted buildings off to the 
right, San Giorgio and tower at the left and the custom house 
with Maria della Salute at the middle SSUES. blue sky with 
slight cloud effect. 

(From the collection of Gallina Marcoto, Venice.) 


Canvas. Height, 35% inches; width, 51 inches. 


Bail 


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122 


STR:PETER LELY 
ENGLAND, 1618-1680 


PORTRAIT OF THE DUCHESS OF ST. ALBANS 
Three-quarter length, seated at full front, holding a shell at a 
fountain at the left; luxuriant chestnut hair parted in the mid- 
dle and dropping to the shoulders, pearl necklace, gray satin 
gown low at the neck, with blue cape trimmed with jewels; 
chateau background, with glimpse of sky. 


Canvas. Height, 50 inches; width, 41 inches. 


JOHN RUSSELL, R.A. 
ENGLISH, 1745-1806 


PORTRAIT OF MISS RUSSELL 

Half length, at full front, of a pretty brunette; hair high off 
the forehead, adorned with lace headdress, pearl collar with 
garnet pendant, red gown low at the neck with lace insertion, 
trimmed with bows; background with foliage effect, feigned 
oval. 


Canvas. Height, 30 inches, width, 25 inches. 


GEORGE MORLAND 
ENGLISH, 1763-1804 


FARMYARD | 

A couple of men at the left, a pair of sheep lying at the right, 
while a cow and her calf are seen near the centre; a man, sheep, 
cows and a dog are farther back, barns at the left and at the 
right, where a fine group of oak trees rise over a blue sky with 
fleeting cloud effects; glimpse of village at distance. 


Canvas. Signed at lower left on the barn. Height, 28 inches; 
width, 36% inches. 


124 


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SIR MARTIN ARCHER SHEE, P.R.A. 
ENGLISH, 1769-1850 3 


PORTRAIT GROUP, BROTHER AND SISTER 


Blond boy standing in Eton jacket and collar, with his arm } 


around his little sister in red gown at his right, both looking at 
the spectator; landscape background. 


Canvas. Height, 36% inches; width, 29% inches. 


SCHOOL OF AVIGNON 
FRENCH, ABOUT 1450 


FOUR SAINTS 

Ambrosius at the left holding an open book, Gregorius next to 
him also holding an open book, followed by Jerome holding a 
closed book and pointing to the lion at his side, then Augustine 
with a red heart in his hand, all holding crosiers and in full 
robes; gold haloes, red background with gold and flower deco- 
rations. 3 

On the back, Ride into Jerusalem, Christ in the Garden of 
Gethsemane, Judas Betrayed and Christ before Pilate. 


Panel. Height, 20 inches, width, 52 inches. 


GAINSBOROUGH DUPONT 
ENGLISH, 1767-1797 


PORTRAIT OF MRS. COCKBURN OF ROCHESTER 
Half length, head and shoulders slightly to the right, eyes di- 
rected toward the spectator, lace headdress, dark blue bodice 
with lace fichu about the shoulders; gray background. 

(From a direct descendant of Mrs. Cockburn.) 


Canvas. Height, 30 inches; width, 25 inches. 


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GEORGE ROMNEY 
ENGLISH, 1734-1802 


PORTRAIT OF A BRAHMIN 

Three-quarter length, seated facing the right, his left hand rest- 
ing on his knee; in gray robe, strong finely modelled features, 
full white beard; column at the right, with distant landscape 
and fine sky effect. 

Mentioned p. 120, “Romney Catalogue Raisonné,” by Ward 
and Roberts. 


Canvas. Height, 39 inches, width, 27 inches. 


WILLEM WISSING 
FLEMISH, 1656-1687 


PORTRAIT OF A LADY 

Three-quarter length, seated, body to the left, head turned 
toward the spectator; in wine-colored robe with white sleeves, 
pearl ornaments; column and curtain background, with urn 
and flowers at the right. 


Canvas. Height, 50 inches; width, 40 inches. 


DOMENICO CAMPAGNOLA 
ITALIAN, 1482 (?)-AFTER 1562 


Peo PoP OF THE HORATIT AND THE CURIATII 
Group of tents at the left, in the principal one of which a gen- 
eral is seated surrounded by his staff and receiving messages; 
a battle in progress at the right, with ancient structures on sev- 
eral hills in the near distance, mountains at the horizon, blue 
and silvery sky with slight cloud effects. 

(Manfrin Gallery, Venice. Collection of Sir Chas. Eastlake, 
R. A. Nicolle collection, No. 869, and reproduced in 
Schubring’s catalogue. ) 


Panel. Height, 12% inches; width, 6834 inches. 


130 


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132 


ADAM FRANZ VAN DER MEULEN 
DUTCH, 1632-1690 


LOUIS XIV ON HORSEBACK ~ 

Facing the spectator, mounted on a prancing white steed in 
gorgeously decorated uniform, holding a baton in his right 
hand; soldiers beyond preparing to attack a fortified town in 
the anaes gray sky with glimpses of blue. Engraved by 
Raniertes 17 Us: 


Canvas. Height, 47 inches, width, 3534 inches. 


GIROLAMO ROMANINO 
ITALIAN, 1485-1566 


PORTRAIT OF AN ITALIAN SENATOR 

Half length, seated, head and shoulders to the front, long 
brown hair and beard, black cap, red fur-lined coat, holding a 
yellow glove in his left hand, his right inserted under his belt; 
green drapery background. | 

(From the collection of T. Humphry Ward.) 


Canvas. Height, 40 inches, width, 33 inches. 


NATHANIEL DANCE, Rie 
ENGLISH, 1734-1811 


PORTRAIT GROUP, CAPTAIN AND MRS, Atgairr 
Three-quarter length standing, the lady at the left in tea- 
colored gown trimmed with blue, her left hand posed on the 
shoulder of the gentleman, who is in undress uniform of deep 
blue and cream-colored waistcoat, holding a card in his hand 
inscribed “Capt. Adair, R.M., Portsmouth,” and pointing to- 
ward a ship at sea through the open window at the right. 
Canvas. Height, 2734 inches, width, 36 inches. 


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